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For pronunciation and definitions of 瑠璃 – see 琉璃 (“a kind of blue and translucent natural precious stone, probably lapis lazuli; etc.”). (This term is a variant form of琉璃).
瑠璃の光も磨きがら(ruri no hikari mo migakigara): “lapis lazuli's shine is brought out by polishing” → inborn talent is no substitute for hard work and practice
瑠璃も玻璃も照らせば光かる(ruri mo hari mo teraseba hikaru): “lazuli and crystal sparkle when you shine a light on them” → even if two things are different, illumination can make their excellent qualities clear
瑠璃も玻璃も照らせば分かる(ruri mo hari mo teraseba wakaru): “you can tell lazuli and crystal by shining a light on them” → the true nature of similar things can be discerned by different means or in different situations
瑠璃は脆し(ruri wa moroshi): “lazuli is fragile” → a metaphor for the fragility of beautiful things
瑠璃も曇る(ruri mo kumoru): “even lazuli gets cloudy” → a metaphor for how even the most excellent things lose value over time
^ 1985, The Golden Peaches of Samarkand, Edward H Schafer, University of California Press, Los Angeles, 398 pp.
^ 1917, Field Museum of Natural History: 1909, “The Beginnings of Porcelain in China”, Berthold Laufer and Henry Windsor Nichols, The Museum, p138:
The glassy paste for the production of ceramic glazes was called liu-li琉璃 (in the Han Annals 流離) or p'i-liu-li, derived from Prākrit veluriya, Mahārāshṭrī verulia (Sanskrit vaiḍūrya).