𡗗

• When this character is used as a top component, the form appears differently depending on the script used:
  • In Japanese kanji, Korean hanja and Vietnamese Nôm, the final ㇏ stroke at the bottom right of the component protrudes from the second horizontal stroke of 三 and intersects with the third horizontal stroke, which is also the historical form found in the Kangxi dictionary.
  • In modern Chinese scripts, the final ㇏ stroke at the bottom right of the component protrudes from the third horizontal stroke of 三 and does not intersect with any of the lines.
  • Note that 丿 and ㇏ are written apart and do not overlap or intersect one another unlike the bottom portion of 夫.
• A similar character ⿻㇒夫 (the uppermost horizontal stroke is replaced by curved ㇒) can be found in the historical 《古文四聲韻》.

𡗗 (Kangxi radical 37, 大+2, 5 strokes, cangjie input 手大 (QK), composition ⿸⿻三丿㇏(GV) or ⿻⿻三丿㇏(J))

The character represents various things according to the single character, hence all the characters are unrelated each other. The apparent relations comes from the stylization of the top component.

For instance:

• in the character 泰, it represents a man 大 (phonetic component) with a pair of hands under him;
• in the character 秦 and 舂, it represents a pair of hands holding a pestle 午;
• in the character 春, it represents grass and a sprout 屯;
• in the character 奏, it probably represents two hands around a tree (drawn as a sprout 屮).

This character is used as a top component in certain characters. (Refer glyph origin section of the derived characters listed below).

• 𡗫, 𪥐, 𫯠, 奉, 𡘕, 𪩫, 春, 奏, 㤗, 秦, 泰, 舂, 𧉾, 𫋫, 𥠼, 𡙹, 𩶓, 𧐧, 実, 𥬟, 𤊖, 𦴼

• Kangxi Dictionary: not present, would follow page 249, character 11
• Unihan data for U+215D7