Citations:attributive

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English citations of attributive

attributing, pertaining to or effecting attribution
  • 1806, Benjamin Dawson, Philologia Anglicana: or, a Philological and synonymical dictionary of the English language , page 36:
    To hate, &c.] Or thus, To be affected with hatred and horrour at. For abhor, though arranged in our dictionaries among verbs active, attributes an affection rather than an act of the mind. As the mind however is an active principle, all verbs attributive of what passes in the mind, even those we call neuter, attribute at the same time some mental act or operation. To grieve is reckoned a verb neuter; yet in grieving at some misfortune, the mind is not less active than it is in abhorring or loathing an object; which latter verbs are called verbs active.
  • 1808, Charles Wilkins, A Grammar of the Sanskrita Language, page 516:
    * 947 आल and आट put after वाक् Speech, with it form adjectives attributive of much bad or improper speaking; as वाचाल, or वाचाट Who utters much bad language.
    * 948 [] affixed to nouns, with them form adjectives attributive of detraction, []
  • 2007 November 21, Robert E. MacLaury, Galina V. Paramei, Don Dedrick, Anthropology of Color: Interdisciplinary multilevel modeling, John Benjamins Publishing, →ISBN, page 201:
    Notably, along with being attributive of color, some of those adjectives are used to characterize sound or intensity of sensation (e.g. pain may behele 'shrill' or tume 'dull'), cognitive abilities (such as hearing, vision and acumen), []
unsorted as to sense, some are nouns
  • 1887, Edward Leon Starck, A Philosophical Study: Grammar and Language: An Attempt at the Introduction of Logic Into Grammar, page 28:
    The word "unusual” is an attributive for the noun; but "unusually” is an attributive of another attributive, which is not a noun or a sum of certain attributes. The attributive itself, being an attribute under a qualificative []
  • 2009 March 26, Yuji Kawaguchi, Makoto Minegishi, Jacques Durand, Corpus Analysis and Variation in Linguistics, John Benjamins Publishing, →ISBN, page 329:
    The predicate besar in (64) indicates the attributive of the subject. (65) adalah penting usaha pemuliharaan dijalankan. important effort conservation be-done “it is important that efforts of conservation have been done,” The semantic []
  • 2012 June 25, Nicolas Tranter, The Languages of Japan and Korea, Routledge, →ISBN, page 227:
    It may be that -no is in origin the attributive of the copula, so attributive + -no would be a double attributive.
  • 2018 January 30, Charles Boberg, John Nerbonne, Dominic Watt, The Handbook of Dialectology, John Wiley & Sons, →ISBN, page 565:
    [] “drink”) is different from nomo toki “drinking time” (attributive of the verb “drink”). Takakja “high” (infinitive of the adjective “high”) differs from takake yama “high mountain” (attributive of the adjective “high”).
  • 2019 November 30, Zuzanna Dziuban, The »Spectral Turn«: Jewish Ghosts in the Polish Post-Holocaust Imaginaire, transcript Verlag, →ISBN, page 70:
    [] of graphic duplications, such as quotation marks or attributive expressions effectuating multiplication, []
with regard to painting (not all one sense)
  • 1997, Christopher J. Knight, Hints and Guesses: William Gaddis's Fiction of Longing, Univ of Wisconsin Press, →ISBN, page 79:
    [] the way Melville learns from and responds to Hawthorne or the way van Gogh does much the same vis-à-vis Millet. What the forger does, though, is to insert his or her own work, carrying with it the values of a later time, into this chronology and thereby distort the nature of what has and has not been achieved. [] For although every forgery is a forgery of some 'thing', that 'thing' need not exist; in this respect 'forgery of' is more like 'thought of' than 'son of.' Better, I think, to keep in mind that the logically proper locution is 'forged X,' that 'forged' is attributive, and that 'forged' is logically parasitic on 'genuine' (199).
  • 2003, Peter Hitchcock, Imaginary States: Studies in Cultural Transnationalism, University of Illinois Press, →ISBN, page 135:
    For Jameson, the paradigmatic shift from Van Gogh's shoes to Warhol's is in the waning of affect whose ideal subject is [] . Derrida puts Heidegger's paradigm to work in order to ponder the specter of truth that haunts presentation and representation (while undoing the attributive compulsion in both Heidegger's and Schapiro's reading of Van Gogh's shoe painting []
  • 2013 July 7, Kuvatova V., Vincent van Gogh: biography and masterpieces, "Издательство ""Проспект""", →ISBN:
    [] attributive features of his painting. Van Gogh painted the potatoes again but how different they were from potatoes of his Dutch period!  []
in the phrases 'attributive portrait', 'attributive portraiture' (not all one sense)
  • 1912, William Sharp Ogden, Shakspere's Portraiture: Painted, Graven, and Medallic, page 33:
    33 Apart from these authoritative, recognised or attributive portraits, there are quite a number which, whatever their quality as paintings, possess but very slight claim to attention as portraits of Shakspere.
  • 1977, Hisashi Mōri, Japanese Portrait Sculpture, volume 2, Tokyo; New York : Kodansha International, page 13:
    It is here suggested that these works should be described as "attributive portraits," that is, representations of specific personages characterized not by an attempt to penetrate the psychology of the subject but by an identification or depiction of the subject through his accepted external attributes.
  • 1982, William Schupbach, The Paradox of Rembrandt's "Anatomy of Dr. Tulp", History of Medicine:
    had transformed the genre of the anatomy-picture from the attributive portrait, which recorded the fact that the sitters belonged to the guild associated with anatomies (Pls. 3, 4), into the emblematic portrait which instead []
  • 1997 January 1, John C. Welchman, Invisible Colors: A Visual History of Titles, Yale University Press, →ISBN, page 104:
    The work is situated as a "key example" of "private, attributive portraiture, pioneered in the 1860s by Manet (in his Portrait of Zola, 1868 . . .) and by Degas . . . , and developed by Van Gogh . . . and Gauguin, among others, in the 1880s."
  • 2019 January 24, Daniel Conway, Nietzsche and The Antichrist: Religion, Politics, and Culture in Late Modernity, Bloomsbury Publishing, →ISBN:
    Nietzsche therefore seems to claim some historical standing for his attributive portrait of the historical Jesus, but nowhere claims to be doing—or even to respect—the kinds of 'scientific' historiography that all other 'historical []