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From Italianmadonna, from Old Italianma(“my”) + donna(“lady”). The given name is derived from the English term, not used as a given name in Italy. Doublet of madam.
We feel bound to add, however, that it is not very likely, in the usual chances of events, that such names as Alaric Attila Watts should have met in matrimony with those of Zillah Madonna Wiffen; and an unkind world may suggest a mystification somewhere.
2005, Steven D. Levitt, Stephen J. Dubner, Freakonomics, Allen Lane, published 2005, →ISBN, page 184:
But celebrities actually have a weak effect on baby names. As of 2000, the pop star Madonna had sold 130 million records worldwide but hadn't generated even the ten copycat namings―in California, no less―required to make the master index of four thousand names from which the sprawling list of girls' names on page 227 was drawn.
2013 February, Alan Baggett, God’s Will, →ISBN, page 39:
MADONNA(S) Yes. (They look at each other with surprise. The room goes silent.) MR. STEIN Two Madonnas? (Pause.) MR. STEIN Did either of you know God? EIGHTIES MADONNA I knew of Him. BIBLICAL MADONNA We had a Son together. MR. STEIN […] I’m going to have to ask you to leave. (The eighties Madonna gets up with a smile and then without uttering another word flounces out of the room loudly humming the tune ‘Like a Virgin’.)
Note: This is only for direct translations of "Madonna." Titles that literally mean Our Lady or other titles in the language in question should be listed at those entries.
A beautiful example of this type of Madonna is the polyptych in the Museo Civico in Sansepolcro.
1913, “Art Galleries of Florence”, in The World’s Progress: With Illustrative Texts from Masterpieces of Egyptian, Hebrew, Greek, Latin, Modern European and American Literature, Fully Illustrated, volume IX, Chicago, Ill.: The Delphian Society, page 114:
So many Madonnas were produced during the Renaissance that it became the habit to distinguish them by any peculiarity.
[…] the mothers who, like Sebastian’s mother in Notorious or Mitch’s mother Lydia in The Birds, block such a transference, or by potential love-objects who are, themselves, Madonnas, whores, or otherwise thinly disguised maternal figures.
2008, Maureen Canning, Lust, Anger, Love: Understanding Sexual Addiction and the Road to Healthy Intimacy, Sourcebooks, Inc., →ISBN, page 182:
The Madonnas are the mothers to our children, the pillars of our families, and the goddesses of our communities. The Madonnas shun the dark side of human sexuality and banish the whores to hell. We put the Madonnas on a pedestal, and we can’t think of them as being sexual or sexy because they must be pure. They must be virginal like the Madonna herself.
Sparing no one in her response to her interviewer’s questions about the ERA, she alludes to divisions within the women’s movement, referring to the factions as “Madonnas, whores, housewives, and lesbians.”
2019, Chris Kelly, Carmen Hahn, Clinical Psychology, ED-Tech Press, published 2020, →ISBN, page 129:
In sexual politics the view of women as either Madonnas or whores limits women’s sexual expression, offering two mutually exclusive ways to construct a sexual identity.
From Italianmadonna, from Old Italian ma(“my”) + donna(“lady”). It was first attested in 1552 and its meaning was primarily (Italian) woman. Its use in the sense of the Virgin Mary was attested much later, in 1844.[1]