Template:RQ:Jonson Every Man out of His Humour

The following documentation is located at Template:RQ:Jonson Every Man out of His Humour/documentation.

Useful links: subpage list • links • redirects • transclusions • errors (parser/module) • sandbox

This template may be used in Wiktionary entries to format quotations from Ben Jonson's work Every Man out of His Humour (1st edition, 1600; and 1st folio version, 1616). It can be used to create a link to online versions of the work at Google Books and the Internet Archive:

• 1st edition (1600).
• 1st folio version (1616; archived at the Internet Archive).

The template takes the following parameters:

1st quarto (1600)

• |1= or |page= – mandatory: as the work is unpaginated, use this parameter to specify the "page number" assigned by the Internet Archive ("IA") to the URL of the webpage to be linked to. For example, if the URL is https://archive.org/details/comicallsatyreof00jons_0/page/n2/mode/1up, specify |page=2. This parameter must be specified to have the template link to the online version of the work.
• |chapter= – in most cases, if the IA page number is specified the template can determine the part of the work other than the main part quoted from, namely, "The Names of the Actors" (rather, the characters), the "Inductio", or the prologue. However, it is unable to do so if IA page 24 is specified, in which this case must be used to specify either |chapter=Inductio or |chapter=Prologue.
• |act= – mandatory in some cases: in most cases, if the IA page number is specified the template can determine the act number (I–V) quoted from. However, it is unable to do so if IA page 39, 67, 89, or 114 is specified, in which case this parameter must be used to specify the act number in uppercase Roman numerals, like this: |act=I.

• |scene= – mandatory in some cases: in most cases, if the IA page number is specified the template can determine the scene number quoted from. However, if it is unable to do so, this parameter must be used to specify the scene number in lowercase Roman numerals, like this: |scene=i.

• In Act II, scene ii is either incorrectly indicated as "scena tertia" (scene iii), or has not been properly indicated between scenes i and iii; if required, specify it as |scene=ii.
• In Act V, an alternative ending is printed on IA pages 140–142.

• |sig= or |signature=, and |verso= – |sig= or |signature= can be used to specify the signature number quoted from, which is indicated at the bottom centre of some pages. If quoting from a verso (left-hand) page specify |verso=1 or |verso=yes; if |verso= is omitted, the template indicates that a recto (right-hand) page is quoted.
  • If a signature number is not indicated on a page, extrapolate it from the signature numbers before and after the page and enclose it in brackets using [ and ] For example, if the previous signature number is A iij and the next one is B, specify the missing signature number as |sig=[A iiij].
  • If quoting a range of signatures, for example, "signatures , verso – , recto", use |sig= or |signature=, and |verso=, to specify the signature at the start of the range, and |sigend= or |signatureend=, and |versoend=, (if required) to specify the signature at the end of the range.
  • If this parameter is omitted, the template links the URL of the online version of the work to the chapter name or act and scene numbers.
• |2=, |text=, or |passage= – the passage to be quoted.

1st folio (1616)

• |part= – the name of a part of the work other than the main part, such as the epistle dedicatory. If quoting from the dramatis personae, specify |part=Dramatis Personae.
• |1= or |act=, and |2= or |scene= – mandatory: the act and scene numbers quoted from in uppercase and lowercase Roman numerals respectively, like this: |act=I, |scene=i.
• |3= or |page=, or |pages= – mandatory in some cases: the page number(s) quoted from. When quoting a range of pages, note the following:
  • Separate the first and last pages of the range with an en dash, like this: |pages=81–82.
  • You must also use |pageref= to specify the page number that the template should link to (usually the page on which the Wiktionary entry appears).

You must specify this information to have the template link to the online version of the work.

• |4=, |text=, or |passage= – the passage to be quoted.

Both versions

• |footer= – a comment on the passage quoted.
• |brackets= – use |brackets=on to surround a quotation with brackets. This indicates that the quotation either contains a mere mention of a term (for example, "some people find the word manoeuvre hard to spell") rather than an actual use of it (for example, "we need to manoeuvre carefully to avoid causing upset"), or does not provide an actual instance of a term but provides information about related terms.

Signature specified

• Wikitext:
  • {{RQ:Jonson Every Man out of His Humour|sig=[P iv]|verso=1|page=127|passage=ee (to requite their courteſie) oftentimes '''d'offeth''' off his ovvne Nature, and puts of theirs; as vvhen hee becomes as churliſh as a Hogge, or as drunke as a Sovv: {{...}}}} (the template can determine the act and scene numbers from the IA page number specified); or
  • {{RQ:Jonson Every Man out of His Humour|sig=[P iv]|verso=1|127|ee (to requite their courteſie) oftentimes '''d'offeth''' off his ovvne Nature, and puts of theirs; as vvhen hee becomes as churliſh as a Hogge, or as drunke as a Sovv: {{...}}}}
• Result
  • 1599 (first performance), B. I. , The Comicall Satyre of Euery Man out of His Humor. , London: ">…] for William Holme, , published 1600, →OCLC, Act V, scene iii, signature , verso:

    ee (to requite their courteſie) oftentimes d'offeth off his ovvne Nature, and puts of theirs; as vvhen hee becomes as churliſh as a Hogge, or as drunke as a Sovv:

Signature not specified

• Wikitext: {{RQ:Jonson Every Man out of His Humour|page=33|passage=Gods pretious, come avvay man, vvhat do you mean? and you knevv him as I do, you'''’ld''' ſhun him, as you'''’ld''' do the plague?}}
• Result:
  • 1599 (first performance), B. I. , The Comicall Satyre of Euery Man out of His Humor. , London: ">…] for William Holme, , published 1600, →OCLC, Act I, scene ii:

    Gods pretious, come avvay man, vvhat do you mean? and you knevv him as I do, you’ld ſhun him, as you’ld do the plague?

• Wikitext:
  • {{RQ:Jonson Every Man out of His Humour|year=1616|act=II|scene=iii|page=108|passage=I doe vviſh my ſelfe ſometime an '''vbiquitarie''' for their loue, in good faith.}}; or
  • {{RQ:Jonson Every Man out of His Humour|year=1616|II|iii|108|I doe vviſh my ſelfe ſometime an '''vbiquitarie''' for their loue, in good faith.}}
• Result:
  • 1599 (first performance; published 1600), Beniamin Ionson , “Euery Man out of His Humour. A Comicall Satyre. ”, in The Workes of Beniamin Ionson (First Folio), London: Will Stansby, published 1616, →OCLC, Act II, scene iii, page 108:

    I doe vviſh my ſelfe ſometime an vbiquitarie for their loue, in good faith.

• Wikitext: {{RQ:Jonson Every Man out of His Humour|year=1616|part=Dramatis Personae|page=79|passage={{smallcaps|Shift}}. {{...}} His chiefe exerciſes are, taking the '''VVhiffe''', ſquiring a Cockatrice, and making priuy ſearches for Imparters.}}
• Result:
  • 1599 (first performance; published 1600), Beniamin Ionson , “Euery Man out of His Humour. A Comicall Satyre. ”, in The Workes of Beniamin Ionson (First Folio), London: Will Stansby, published 1616, →OCLC, page 79:

    Shift. His chiefe exerciſes are, taking the VVhiffe, ſquiring a Cockatrice, and making priuy ſearches for Imparters.

• Wikitext: {{RQ:Jonson Every Man out of His Humour|year=1616|act=III|scene=iiii|pages=123–124|pageref=124|passage=or the more ''modellizing'', or ''enamelling'', or rather '''''diamondizing''''' of your ''ſubject'', you ſhall perceiue the ''Hypotheſis'', or ''Galaxia'', (vvhereof the ''Meteors'' long ſince had their ''initiall inceptions'' and ''notions'') to be meerely ''Pythagoricall'', ''Mathematicall'', and ''Ariſtocraticall''— {{...}}}}
• Result:
  • 1599 (first performance; published 1600), Beniamin Ionson , “Euery Man out of His Humour. A Comicall Satyre. ”, in The Workes of Beniamin Ionson (First Folio), London: Will Stansby, published 1616, →OCLC, Act III, scene iiii, pages 123–124:

    or the more modellizing, or enamelling, or rather diamondizing of your ſubject, you ſhall perceiue the Hypotheſis, or Galaxia, (vvhereof the Meteors long ſince had their initiall inceptions and notions) to be meerely Pythagoricall, Mathematicall, and Ariſtocraticall—

For the 1st folio version, this template relies on {{RQ:Jonson Works}}.