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From Scotsauld lang syne(“old long ago”, literally “old long since”), popularized by the poem “Auld Lang Syne” (1788) by Scottish poet and lyricist Robert Burns (1759–1796) based on an older song.[1]
, An Excellent and Proper New Ballad, Entituled, Old Long Syne, (facsimile of broadside), : [s.n.; reproduced on The Word on the Street, National Library of Scotland], published 2004, →OCLC, archived from the original on 9 October 2014:
Is thy ſweet Heart now grown ſo cold, / that loving Breaſt of thine; / That thou canſt never once reflect / on Old long ſyne. / On Old long ſyne my Jo, / on Old long ſyne, / That thou canſt never once reflect, / on Old long ſyne.]
Should auld acquaintance be forgot / And never brought to mind? / Should auld acquaintance be forgot, / And auld lang syne! / For auld lang syne my jo, / For auld lang syne, / We'll tak a cup of o' kindness yet for auld lang syne.
That "Auld Langsyne" had still its authority both with preceptor and scholar, was proved by the manner in which he sometimes promptly passed the distance she usually maintained between them, and put down her high reserve with a firm, quiet hand.
The "Grand Carver" of olden times, a functionary of no ordinary dignity, was pleased when he had a hare to manipulate, for his skill and grace had an opportunity of display. Diners à la Russe may possibly, erewhile, save modern gentlemen the necessity of learning the art which was in auld lang syne one of the necessary accomplishments of the youthful squire; but, until side-tables become universal, or till we see the office of "grand carver" once more instituted, it will be well for all to learn how to assist at the carving of this dish, which, if not the most elegant in appearance, is a very general favourite.
1922 December, Harold Avery, “A Sixth Form Feud. A Public School Story.”, in The Boy’s Own Paper, volume XLV, part 2, London: "Boy's Own Paper" Office,, →OCLC, chapter VIII (A Rough-and-tumble), page 128, column 1:
“I don’t see how we can make any return, unless you’ll be good enough to buy yourself a bit more tobacco.” / “My dear boy—if you’ll excuse me using such a word,” returned Bowcher, “I don’t want to rob you of your pocket money. If I’ve been any help to you—well, we’ll say it’s for ‘auld lang syne’.”
1928 March 3, Percy Grainger, “Mother”, in Malcolm Gillies, David Pear, Mark Carroll, editors, Self-portrait of Percy Grainger, New York, N.Y.: Oxford University Press, published 2006, →ISBN, paragraph 19 (Thots of Mother while Scoring To a Nordic Princess):
It is in ‘auld lang syne’ that we who are dead find our full despotic kingdom at last—that oneness of sway that even the truest, sweetest love can never assure us of while living.
2017 December, Karen Weisner, chapter 10, in For Auld Lang Syne (Adventures in Amethyst Series; 8), : Lulu, →ISBN, page 95:
He had to win Harper's respect on his own terms, on hers, even if that meant they were never more than old friends saying farewell for auld lang syne.
1839, Dialogues, Poems, Songs, and Ballads, page 161:
Yet, man, it’s lang sen we, togither / Hev hed a crack wi’ yen anither / An now I’m nowther leath nor lither / If ye’ve a meynde / To reang first tea part an’ than t’other / Of auld lang syne.
1867, Eliakim Littell, Robert S. Littell, The Living Age ..., page 385:
And when I’m cutting, and stitching, and hammering, at the window, and dreaming o’ auld lang syne, and fechting my battles ower again, and when I think o’ this and that awra’ time that I have seen wi’ brave comrades noo lying in some neuk in Spain
^ See, for example, An Excellent and Proper New Ballad, Entituled, Old Long Syne,, : [s.n.; reproduced on The Word on the Street, National Library of Scotland], , published 2004, →OCLC, archived from the original on 9 October 2014.