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I say it would look like a fable to report that this gentleman gives away all which is the overplus of a great fortune by secret methods to other men.
The spelling has been modernized.
The plot, story, or connected series of events forming the subject of an epic or dramatic poem.
1695, John Dryden, A Parallel betwixt Painting and Poetry:
For the moral (as Bossu observes,) is the first business of the poet, as being the groundwork of his instruction. This being formed, he contrives such a design, or fable, as may be most suitable to the moral;
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He Fables not, I heare the enemie: / Out ſome light Horſemen, and peruſe their Wings.
1709, Mat Prior, “An Ode, Humbly Inscrib’d to the Queen”, in Poems on Several Occasions, London: Jacob Tonson, →OCLC, stanza XVII, page 287:
Vain now the Tales which fab’ling Poets tell, / That wav’ring Conqueſt ſtill deſires to rove; / In Marlbrô’s Camp the Goddeſs knows to dwell: / Long as the Hero’s Life remains her Love.
1852, Matthew Arnold, Empedocles on Etna, Act II, in Empedocles on Etna and Other Poems, London: B. Fellowes, p. 50,
1667, John Milton, “Book VI”, in Paradise Lost., London: [Samuel Simmons], and are to be sold by Peter Parker; nd by Robert Boulter; nd Matthias Walker,, →OCLC; republished as Paradise Lost in Ten Books:, London: Basil Montagu Pickering, 1873, →OCLC, lines 288–292:
[…] erre not that ſo ſhall end / The ſtrife of Glorie: which we mean to win, / Or turn this Heav’n itſelf into the Hell / Thou fableſt[…]
1691, “Cassandra, or, Divination”, in Arthur Gorges, transl., The Wisdom of the Ancients, London, translation of by Francis Bacon, page 1:
THE PoetsFable, That Apollo being enamoured of Caſſandra, was by her many ſhifts and cunning ſlights ſtill deluded in his Deſire […]
Fabled by the daughters of memory. And yet it was in some way if not as memory fabled it. A phrase, then, of impatience, thud of Blake’s wings of excess.