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Akin to Dutchveeg(“a swipe”), Dutch vegen(“to sweep, wipe”); Germanfegen(“to sweep, to polish”). Compare also Old Englishfācn(“deceit, fraud”). Perhaps related also to Old Norsefjúka(“to fade, vanquish, disappear”), Old Norse feikn(“strange, scary, unnatural”).
1988 November 25, Caryn James, “Ayn Rand Adaptation By Italian”, in The New York Times:
Seeing Rossano Brazzi play an aristocratic White Russian, standing in the fakest snow that wartime supplies could buy, may be the most peculiar twist of all in the curious story of how Ayn Rand's autobiographical first novel came to the screen.
Among other interesting and weighty opinions, which were in general agreement with our contentions, was one by Mr. H. A. Staddon of Goodmayes, a gentleman who had made a particular hobby of fakes in photography. His report is too long and too technical for inclusion, but, under the various headings of composition, dress, development, density, lighting, poise, texture, plate, atmosphere, focus, halation, he goes very completely into the evidence, coming to the final conclusion that when tried by all these tests the chances are not less than 80 per cent. in favour of authenticity.
2013, Jocelyn Samara D., Rain, volume 1, →ISBN, page 193:
"She constantly faked being sick, and perhaps mistakenly, I indulged her more than I should have, pretending I couldn't tell. But I AM a teacher myself, so it's kind of hard to just let this slide."
Occasionally the opportunity arises to stand up and "fake" a jazz standard.
Denning, cited in 2020, Matt Brennan, Kick It: A Social History of the Drum Kit (page 110)
In the face of this print music culture, 'faking' was the ability—at once respected and disrespected—to improvise a song (or a part in an arrangement) without reading the notation.
fake (third-person singular simple presentfakes, present participlefaking, simple past and past participlefaked)
(nautical) To coil (a rope, line, or hawser), by winding alternately in opposite directions, in layers usually of zigzag or figure of eight form, to prevent twisting when running out.
In most cases corresponding to hypothetical English occurrences which would be deemed adjectives, the German is part of a compound with the noun Fake, and the existence of such an adjective is not widely accepted, however at least in the colloquial of the fashion scene, in reference to counterfeits, it is a fully declined adjective; cf. woke, and anywhere else where there is a heavy influx of English there may be at least predicative-only use.