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The adjective is derived from the noun. Sense 1 (“of or pertaining to a realist style of painting characterized by scenes of dull or untidy domestic interiors of urban working-class people”) was coined by the British art critic David Sylvester (1924–2001) in a December 1954 article entitled “The Kitchen Sink”:[1][2] see the quotation.
They threw the kitchen sink at the problem, but still couldn’t fix it.
1994, P J O’Rourke, “Fashionable Worries: If Meat is Murder, are Eggs Rape?”, in All the Trouble in the World: The Lighter Side of Famine, Pestilence, Destruction and Death, London: Picador, →ISBN, section III, page 11:
The April 1994 issue of Washingtonian ran an article by my friend Andrew Ferguson about corporate "multicultural training". Andy quoted one of the trainers (or facilitators, as they like to be called), whose job it is to instill "sensitivity" about age, race, gender, disability, sexual orientation, and the kitchen sink into employees of Washington businesses: […]
1997 March 30, Frederic M. Biddle, “Networks’ wake-up call”, in Boston Sunday Globe (ArtsEtc. section), volume 251, number 89, Boston, Mass.: The Globe Newspaper Co., →ISSN, →OCLC, page N4, columns 4–5:
The morning shows are now kitchen sinks, sometimes setting the network's news agenda for the day with interviews […] but always repeating bits of the previous night's newscasts, while promoting what's going to air on that night's shows.
How good are you at packing a car's trunk? Decide how big a challenge you want, then choose your cards to find out which of the crazy items – everything from a spare tire to the kitchen sink – you need to cram in.
It's been 20 years since "Drinking in L.A." and Bran Van 3000's eclectic debut Glee dropped back in February 1997, when the group's hip, kitschy, kitchen-sink esthetic and genre-defying mixtape intoxication were so en vogue that even Madonna was drawn into the bidding war.
Jack used to be a clever man, though I say so who shouldn't. Government has eaten him up. All his ideas and powers of conversation—he really used to be a good talker, even to his wife, in the old days—are taken from him by this—this kitchen-sink of a Government. That's the case with every man up here who is at work.
It is evident that neither objectivity nor abstraction is the aim of the young painters of the kitchen-sink school.
2004 autumn, Adrian Clark, “Two British Art Patrons of the 1940s and 1950s: Sir Colin Anderson and Peter Watson”, in The British Art Journal, volume V, number 2, London: Art Journals, →ISSN, →JSTOR, →OCLC, page 74, column 1:
The home and domesticity were the main subjects of "kitchen sink" painting, a short-lived style of realism active in London between 1952 and 1957. The four artists typically associated with this genre are Jack Smith, Edward Middleditch, Derrick Greaves, and John Bratby. […] In the histories of post-war British art, it remains widely unchallenged that these four men are the only "kitchen sink" artists. Their works from the 1950s are considered as central in discourses of post-war representations of the home and labour, with critics and historians often locating "kitchen sink" painting's legacy as a precursor to British pop art's focus on everyday domestic objects.
of or pertaining to a realist style of painting characterized by scenes of dull or untidy domestic interiors of urban working-class people; of or pertaining to an artist or group of artists painting in this style
of or pertaining to a genre of drama, fiction, etc., depicting the harsh lives of working-class people; of or pertaining to a film, novel, play, etc., of this genre
(transitive) to raise to (someone) unrelated complaints and other matters during an argument; (intransitive) to raise unrelated complaints and other matters during an argument
The post-war generation takes us back from the studio to the kitchen. Dead ducks, rabbits and fish—especially skate—can be found there, as in the expressionist slaughterhouse, but only as part of an inventory which includes every kind of food and drink, every kind of utensil and implement, the usual plain furniture, and even the baby’s nappies on the line. Everything but the kitchen sink? The kitchen sink too. The point is that it is a very ordinary kitchen, lived in by a very ordinary family.