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Calque of Italiansettima arte, which was coined by the Italian film theoretician Ricciotto Canudo (1877–1923) in 1921,[1][2] considering filmmaking to be a new art combining the six previous arts of architecture, sculpture, painting, music, dance, and poetry. Canudo had previously used the term sesta arte(literally “sixth art”) to describe filmmaking around 1911 when he did not include dance in the set of preceding arts.
1948, Jacques Queval, “Three French Histories of Film ”, in Hollywood Quarterly, volume 3, number 4, Berkeley, Calif.: University of California Press, →ISSN, →OCLC, page 454, column 2:
Georges Charensol's Panorama du cinema, originally published in 1927, […] was the bible of devotees of the seventh art.
Because of the inherent interdisciplinarity of studying film—once called, appositely, the "seventh art"—film studies was among the first disciplines to embrace such theories and methodologies as feminism, semiotics, and structuralism.
With some 40,000 professionals in attendance, Cannes is the world's largest annual convention, and a yearly thermometer for the temperature of the seventh art.
^ “Collection des titres de périodiques: La gazette des sept arts [Collection of Periodical Titles: The Gazette of the Seven Arts]”, in Ciné-Ressources, Cinémathèque Française, 2000 October, archived from the original on 2022-09-25: “En avril 1921, Ricciotto Canudo, celui que Jean Epstein appelle ‘le missionnaire de la poésie au cinéma’, fonde Le Club des amis du septième art, […] ― In April 1921, Ricciotto Canudo, whom Jean Epstein called ‘the missionary of poetry in cinema’, founded the Club of Friends of the Seventh Art,”.