Hello, you have come here looking for the meaning of the word
unshapen. In DICTIOUS you will not only get to know all the dictionary meanings for the word
unshapen, but we will also tell you about its etymology, its characteristics and you will know how to say
unshapen in singular and plural. Everything you need to know about the word
unshapen you have here. The definition of the word
unshapen will help you to be more precise and correct when speaking or writing your texts. Knowing the definition of
unshapen, as well as those of other words, enriches your vocabulary and provides you with more and better linguistic resources.
English
Etymology 1
Past participle of unshape.
Adjective
unshapen (comparative more unshapen, superlative most unshapen)
- Shapeless; misshapen; deformed; ugly.
Verb
unshapen
- past participle of unshape
Etymology 2
From un- + shapen.
Verb
unshapen (third-person singular simple present unshapens, present participle unshapening, simple past and past participle unshapened)
- (rare) Synonym of unshape
1887 December 17, “Use of Instantaneous Photography”, in The Indianapolis News, volume XIX, number 10 (whole 5,613), Indianapolis, Ind., page , column 6:In determining this matter by instantaneous photography, the artist took the photograph of an omnibus wheel en route, and in this photograph, while the lower ends of the spokes immediately adjacent to the ground are not perceptibly unshapened by the motion, the tops of the upper spokes show an angular motion, corresponding to about ten degrees.
1919 September, William J Locke, “The House of Baltazar”, in Good Housekeeping, page 64, column 1:In the gap of twenty years between girl and woman, what devastating life forces might have been at work, wiping bloom from cheek, dulling gleam from eves, distorting lips, smiting haggard lines on face, hardening or unshapening sweet and beloved contours, hardening, too, the mind, drying up the heart, arresting the development of the soul?
1925, Louise Jordan Miln, “Weeping Willow”, in The Soul of China: Glimpsed in Tales of Today and Yesterday, New York, N.Y.: Frederick A. Stokes Company, page 100:His knife dripped with the white, just red-flecked life-blood of the stark-eyed beauty—the mullet must have turned four pounds—he’d slit open with a quick slice of his accustomed fingers—coarse, work-rough fingers, horned as well as torn by sixty years of endless labor, blunted, unshapened by coarse, relentless toil of coarse, relentless existence never shirked, never deplored; skillful, certain fingers—for in such butchery as this of his the hand of constant usage hath, as it happens, the surer sense.