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[…]there were three small brass coins there, the gift of Ymar. Their legends, like their faces, had worn away; and they were dark with verdigris — in appearance precisely the ancient things they were.
1735, [John Barrow], “GREENS”, in Dictionarium Polygraphicum: Or, The Whole Body of Arts Regularly Digested., volume I (A–H), London: C Hitch and C Davis, and S Austen, →OCLC:
Gamboge is one of the firſt yellows, which may be made to produce five or six ſorts of Green with verdegreaſe, according as the gambooge is in the greater or leſſer proportion; if it abounds, it will make a tolerable oak green, and being mixt with a greater quantity of verdegreaſe, it will make a fine graſs Green.
[…]let them tell me candidly which is nearest truth, the gold of Turner, or the mourning and murky olive browns and verdigris greens in which Claude, with the industry and intelligence of a Sevres china painter, drags the laborious bramble leaves over his childish foreground.
Jeremiah found himself indoors, perfecting his Draftsmanship, bending all day over the work-table, grinding and mixing his own Inks,— siftings and splashes ev'rywhere of King's Yellow, Azure, red Orpiment, Indian lake, Verdigris, Indigo, and Umber.
1853 August 4 – 1858 January 3 (date written), Nathaniel Hawthorne, Passages from the English Note-books of Nathaniel Hawthorne, volume (please specify |volume=I or II), Boston, Mass.: Fields, Osgood, & Co., published 1870, →OCLC:
[…] there were always some wretched musicians, with an old fiddle, an old clarinet, and an old verdigrised brass bugle[…]
^ Dauthenay, Henri (1905) Répertoire de couleurs pour aider à la détermination des couleurs des fleurs, des feuillages et des fruits, volume 2, Paris: Librairie horticole, RC2, page 240