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From Lovecraft + -ian, in reference to H. P. Lovecraft (1890–1937), an American author of fantasy, horror, and science fiction, noted for combining these three genres within single narratives.
The tip of the thing was equipped with long whiplike appendages that writhed around a loose, drooling, toothless mouth large enough to swallow a man whole...Perhaps this was the only thing that the escaping Lovecraftian entity had thus far been able to extrude between the opening Gates — this one finger.
Of, pertaining to, or emulating the style or works of author H. P. Lovecraft (1890–1937).
Lovecraftian horror
Lovecraftian fiction
2006, A. Blackwood, August Derleth, The Ithaqua Cycle, page 102:
The present story, "Born of the Winds", is one of the best. For one thing, the vision of the story is pure Lovecraftian cosmic pessimism.
2007 September 23, David Bowman, “Torchlit Crit”, in The New York Times, →ISSN:
That abandonment, incidentally, compelled Sam’s mother to fill her young son’s head with H. P. Lovecraftian horror-style lies about the interior of Emily Dickinson’s house, lies that motivated her son’s break-in to begin with.
Translations
of, pertaining to, or emulating the style or works of author H. P. Lovecraft (1890-1937)
For zealous Lovecraftians there are a few choice tidbits—a short autobiography, his commonplace book, and his “History and Chronology of the Necronomicon.”
Finally, we can draw a definitive fourth circle, at the absolute heart of HPL’s myth, which contains what most rabid Lovecraftians continue to call, almost in spite of themselves, the “great texts.”
Everyone is a “creative anachronist,” but we Lovecraftians, like our cousins in other Buddha-fields of fandom, have elected to live a minority, sectarian existence in what sociologists Berger and Luckmann (The Social Construction of Reality) call a “finite province of meaning.”
