Template:RQ:Evelyn Sculptura

The following documentation is located at Template:RQ:Evelyn Sculptura/documentation.

Useful links: subpage list • links • redirects • transclusions • errors (parser/module) • sandbox

This template may be used in Wiktionary entries to format quotations from John Evelyn's work Sculptura: Or The History, and Art of Chalcography and Engraving in Copper (book I, 1st edition, 1662; and book II, 1st edition, 1906). It can be used to create a link to online versions of the work at the Internet Archive:

• Book I (1st edition, 1662).
• Book II (1st edition, 1906) – not published in Evelyn's lifetime.

The template takes the following parameters:

• |book= – mandatory in some cases: if quoting from book II (1st edition, 1906), specify |book=II. If this parameter is omitted, the template defaults to book I (1st edition, 1662).
• |1= or |page=, or |pages= – mandatory: the page number(s) quoted from. If quoting a range of pages, note the following:
  • Separate the first and last page number of the range with an en dash, like this: |pages=10–11.
  • You must also use |pageref= to indicate the page to be linked to (usually the page on which the Wiktionary entry appears).

This parameter must be specified to have the template determine the name of the chapter quoted from, and to link to the online version of the work.

• |chapter= – in most cases, if the page number is specified the template can determine the name of the chapter quoted from. However, if it is unable to do so, use this parameter to specify the chapter number in uppercase Roman numerals or as indicated by the template, like this: |chapter=I or |chapter=Advertisement (in book II). If quoting from one of the chapters indicated in the second column of the following table, give the parameter the value indicated in the first column:

As the above chapters in book I are unpaginated, use |1= or |page= to specify the "page number" assigned by the Internet Archive to the URL of the webpage to be linked to. For example, if the URL is https://archive.org/details/sculpturaorhisto00evel_0/page/n10/mode/1up, specify |page=10.

• |2=, |text=, or |passage= – the passage to be quoted.
• |footer= – a comment on the passage quoted.
• |brackets= – use |brackets=on to surround a quotation with brackets. This indicates that the quotation either contains a mere mention of a term (for example, "some people find the word manoeuvre hard to spell") rather than an actual use of it (for example, "we need to manoeuvre carefully to avoid causing upset"), or does not provide an actual instance of a term but provides information about related terms.

Book I (1st edition, 1662)

• Wikitext:
  • {{RQ:Evelyn Sculptura|page=107|passage=The firſt and principal manner of Dravving is that vvith the ''pen''; the next vvith ''Crayon'', vvhither black, vvhite, red or any of the '''intermedial''' colours, upon paper either vvhite or colour'd: {{...}}}}; or
  • {{RQ:Evelyn Sculptura|107|The firſt and principal manner of Dravving is that vvith the ''pen''; the next vvith ''Crayon'', vvhither black, vvhite, red or any of the '''intermedial''' colours, upon paper either vvhite or colour'd: {{...}}}}
• Result:
  • 1662, J[ohn] Evelyn, “Of Drawing, and Design prævious to the Art of Chalcography; and of the Use of Pictures in Order to the Education of Children”, in Sculptura: Or The History, and Art of Chalcography and Engraving in Copper. , London: J C for G. Beedle , and T Collins, , and J Crook , →OCLC, book I, page 107:

    The firſt and principal manner of Dravving is that vvith the pen; the next vvith Crayon, vvhither black, vvhite, red or any of the intermedial colours, upon paper either vvhite or colour'd: […]

• Wikitext: {{RQ:Evelyn Sculptura|pages=52–53|pageref=52|passage=Nor may vve here omit to celebrate for the glory of the Sex, '']'', a ''Florentine'' '''Sculptreſs'''; vvho having cut ſtupendious things in Marble, put forth alſo ſome rare things in ''Stampi'' to be encountred amongſt the Collections of the Curious.}}
• Result:
  • 1662, J[ohn] Evelyn, “Of the Invention and Progresse of Chalcography in Particular; together with an Ample Enumeration of the Most Renowned Masters, and Their Workes”, in Sculptura: Or The History, and Art of Chalcography and Engraving in Copper. , London: J C for G. Beedle , and T Collins, , and J Crook , →OCLC, book I, pages 52–53:

    Nor may vve here omit to celebrate for the glory of the Sex, Propertia de Roſſi, a Florentine Sculptreſs; vvho having cut ſtupendious things in Marble, put forth alſo ſome rare things in Stampi to be encountred amongſt the Collections of the Curious.

Book II (1st edition, 1906)

• Wikitext:
  • {{RQ:Evelyn Sculptura|book=II|page=15|passage=And forasmuch as by their frequent passing under the Roller, they {{quote-gloss|blankets for printing}} are squezed together and become stubburne, and churlish: you shall doe well to spread and extend them at night; and the morning (ere you employ them) to '''wreath''', rub, slap and smooth them till you have rendred them very soft and gentle: {{...}}}}
• Result:
  • 1662 May 24 (date delivered; Gregorian calendar), J[ohn] Evelyn, “Of the Other Necessaries, Instruments and Appurtenances Belonging to the Press; and Touched onely in the Precedent Chapter”, in C F Bell, editor, Evelyn’s Sculptura with the Unpublished Second Part, Oxford, Oxfordshire: Clarendon Press ], published 1906, →OCLC, book II (The Construction of the Rowling Press, and Manner how to Worke off the Plates), page 15:

    And forasmuch as by their frequent passing under the Roller, they [blankets for printing] are squezed together and become stubburne, and churlish: you shall doe well to spread and extend them at night; and the morning (ere you employ them) to wreath, rub, slap and smooth them till you have rendred them very soft and gentle: […]