Hello, you have come here looking for the meaning of the word
Citations:rasgueo. In DICTIOUS you will not only get to know all the dictionary meanings for the word
Citations:rasgueo, but we will also tell you about its etymology, its characteristics and you will know how to say
Citations:rasgueo in singular and plural. Everything you need to know about the word
Citations:rasgueo you have here. The definition of the word
Citations:rasgueo will help you to be more precise and correct when speaking or writing your texts. Knowing the definition of
Citations:rasgueo, as well as those of other words, enriches your vocabulary and provides you with more and better linguistic resources.
1987 September, Simon Cottle, “‘La Garrocha’, Flamenco as an Expression of Community”, in The Contemporary Review, volume 251, page 140:Entering one typical bar two guitarists, equipped with highly strung golpeadored guitars and seemingly rubber wrists, were blasting out their choruses of Sevill a nas in between unbelievably fast passages of rhythm or rasgueo.
- page 141:
- The scene now set, another guitarist takes up his position and immediately begins to play a salida, or introductory passage employing the characteristic finger rolling technique, rasgueado, to effect a breath-taking demonstration of controlled right-hand technique.
2004 March 10, Evan Pondel, “Musician and his guitar are as one”, in Daily News, Los Angeles, California, page U5:Dressed in black pants, black vest and leather boots, De Lucia is now ready to rasgueado – a flamenco strumming pattern in which the musician fans his fingers like a peacock and strikes each string in succession.
2013, Anna Piotrowska, Guy Torr, Gypsy Music in European Culture, page 138:In the context of evoking flamenco guitar through string pizzicato and piano arpeggiation, we also see intentional pauses in the division of chords, marking clearly the flamenco guitar technique of rasgueado.
2016, Ludim Rebeca Pedroza, “The Joropo in Venezuela’s Musical Modernity: Cultural Capital in José Clemente Laya’s Sonata Venezolana”, in Musicological Annual, volume 52, →DOI, page 57:The cuatro player uses the rasgueo, an aggressive strumming technique; by alternating between open-hand strumming and closed-hand strumming, the cuatrista adds percussive, accented syncopations (Figure 1 shows one of the most common rasgueo patterns).
2018, Juan Montoya, The Influences of Argentinean Criollo Dance and Folk Music in the Orchestral Works of Alberto Ginastera, Dissertation, University of Arizona, page 45:This highly syncopated pattern represents complicated zapateo footwork or guitar rasgueo. Such use of rhythmic syncopation is typical in a malambo.