metadiegetic

From meta- +‎ diegetic.

• IPA^(key): /ˌmɛt.ə.daɪ.ɪˈd͡ʒɛt.ɪk/
• Hyphenation: met‧a‧di‧e‧get‧ic
• Rhymes: -ɛtɪk

metadiegetic (comparative more metadiegetic, superlative most metadiegetic)

1. (narratology) Pertaining to a secondary narrative embedded within the primary narrative (a story within a story).
   • 1995, Michael Dunne, Hawthorne’s Narrative Strategies, page 87:

     A particularly striking example appears in Hawthorne's next romance, The House of the Seven Gables, in which Chapter 13 consists entirely of a metadiegetic narrative entitled "Alice Pyncheon," composed and read by the diegetic character Holgrave.

   • 2004, Janet K. Halfyard, Danny Elfman's Batman: A Film Score Guide, page 108:

     The diegetic and metadiegetic aspects of the Joker's use of music also persist. Prince's "Trust" features diegetically in the festival parade as the Joker rides on his birthday-cake float, while the Straussian waltz reappears metadiegetically in the cue "Waltz," for the battle between Batman and the Joker's henchman as the Joker waltzes with a semiconscious Vicki in the background. This, and his comment, "shall we dance?" to Batman just before the cue starts again positions this as music that the Joker has control cover: it is more than simply heard in his head.

   • 2005, Jennifer Van Sijll, “Sound Effects”, in Cinematic Storytelling, →ISBN, page 90:

     Sound effects are often enlisted to externalize a characters' inner thoughts, nightmares, hallucinations, dreams, or wishes. We might hear, for example, the laughter of a child as a woman picks up a doll from childhood. This gives the scene a surreal feeling. This effect is often called meta-diegetic.

The secondary narrative can be a story told by a character within the main story or it can take the form of a dream, nightmare, hallucination, imaginary or other fantasy element.

• hypodiegetic