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Possibly from the common practice of labelling points using letters of the alphabet, and then referring to motion from one point to another as “from A to B”, and so on.[1]
1997, Daniela Bertol, David Foell, “A Few Hypotheses for Reconstructed Architecture”, in Designing Digital Space: An Architect’s Guide to Virtual Reality, New York, N.Y., Chichester, West Sussex: John Wiley & Sons, →ISBN, page 303:
While in our actual world we identify architecture with elements related by permanent relations, in virtual worlds space is a constant function of time. For example, if I have to ascend a stair to get from A to B, I will not necessarily have to descend to get back from B to A. Virtual spaces can hold many surprises.
1999, Sara Clifford, Anna Herrmann, “Unit Three: Devising the Show”, in Making a Leap – Theatre of Empowerment: A Practical Handbook of Drama and Theatre Work with Young People, London, Philadelphia, Pa.: Jessica Kingsley Publishers, →ISBN, page 133:
At Leap we have found that, when working with a large group, it is not appropriate to create a traditional play with a story that follows one central character from A to B. Instead, we create a piece of theatre that can employ a large cast, follow several characters' stories in parallel and draw on several styles, especially popular forms.
1999, M. James C. Crabbe, “Preface”, in M. James C. Crabbe, editor, From Soul to Self, London, New York, N.Y.: Routledge, →ISBN, page x:
It is a journey travelled both by individuals and by societies made up of those individuals. It is not, however, a simple journey, a progression from A to B, starting with the soul and ending at the self.
, archived from the original on 10 September 2017:
The zombie scenes are reminiscent of what you might see on a show like The Walking Dead, short bursts of extreme violence and gore punctuating expository dialogue scenes where the survivors try to figure out how they’re going to get from point A to point B.]
^ See, for example, R. H. (1681 December 10) “The Substance of a Mathematical Discourse, Containing the Description of the Best Form of Horizontal Sayls for a Mill, and the Ground of the Inclined Sayls of Ships, Made before the Royal Society, by R. H.”, in Philosophical Collections, number 3, London: Printed for Richard Chiswell, printer to the Royal Society, at the Rose and Crown in St Paul's Church-yard, →OCLC, page 63: “Let A B ſignifie the ſtream or current of the Air or Wind, moving from A to B, and let C repreſent the Centre of the Axis or Spindle, […]”.