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2014, Peter Mechant, Lieven De Marez, “Studying Web 2.0 Interactivity: A Research Framework and Two Case Studies”, in Cyber Behavior: Concepts, Methodologies, Tools, and Applications: Concepts, Methodologies, Tools, and Applications, Information Science Reference, →ISBN, page 1709:
In contrast to Flickr, deviantArt offers a broad range of user affordances, enabling both synchronous and asynchronous interpersonal and group communication, as well as networking with other deviants and the surveillance of the work of others (through the deviantWATCH affordance).
2009, Grekkikay, post on how to critique art; quoted in Linda Vigdor, “Constructing Learning through the Creative Evaluation of Visual Arts Production”, in Hiesun Cecilia Suhr, editor, Online Evaluation of Creativity and the Arts (Routledge Studies in New Media and Cyberculture), New York, N.Y., London: Routledge, 2015, section “Creative Evaluation as Practiced in Three Critique Environments”, exhibit 2 (DeviantArt.com), pages 87–88:
While I myself have no problems as far as favoriting instead of commenting is concerned, since a lot of deviants are like this, I thought it was right to tell people how to comment correctly.
2013 February 22, Alkim Almila Akdag Salah, Albert Ali Salah, “Flow of innovation in deviantArt: following artists on an online social network site”, in Mind & Society, volume 12, pages 137–149:
Our data stem from these DD’s and galleries of the corresponding deviants and were acquired directly from dA Headquarters.
2016, Brian Lee Jones, “Deviously Deviant: The Strange Tapestry that is deviantART.com”, in Barbara Guzzetti, Mellinee Lesley, editors, Handbook of Research on the Societal Impact of Digital Media (Advances in Media, Entertainment, and the Arts), Information Science Reference, →ISBN, page 390:
Many deviants strongly criticized the sharing features as facilitating art theft (Herr-Stephenson & Perkel, 2008; Perkel, 2011).
2017 February 24, Natt Garun, “Wix has acquired DeviantArt, which may let artists license their work for the site builder”, in The Verge:
“Deviants continue to own their own works,” [Angelo] Sotira wrote. “In the future, there's a possibility Wix might provide opportunities for you to license your work — only if you want to — to more people around the world.”
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